Charles SPINETTE (My, on 1916 - 1996)
Painter and pastelliste. Was inspired by the fauvism, creates a rigorous work to evolve with forms and colors torwards the abstraction. Chair the circle " the Good Will " from 1973 till 1974. Also painter glassworker.
Works to the museums of Charleroi, La Louvière, Mons, Saint Nicolas, Tournai and Verviers

Roger DUDANT (Laplaigne, 1929)
Oil on canvas, 70 x 100 cm, dated 1960.
Painter and draughtsman at the borders of the abstraction, often inspired by the industrial world. Study in Cambre of 1950 to 1953 in the class of Paul Delvaux where he will become teacher. Price of the Young Belgian Painting in 1953. 3e mention with the international contest of Carnegie Institution of Pittsburgh in 1955. Rewarded in Lugano in 1956. Also expose to Sao Polo and New York. Present in many museums; Brussels, Liege, Turned, Mons, Charleroi, Ghent, Ostend, Lugano, Pittsburgh, Palm Beach, Sao Polo.

Roger DUDANT (Laplaigne, 1929)
Oil on canvas, 100 x 70 cm, dated 1960.
Painter and draughtsman at the borders of the abstraction, often inspired by the industrial world. Study in Cambre of 1950 to 1953 in the class of Paul Delvaux where he will become teacher. Price of the Young Belgian Painting in 1953. 3e mention with the international contest of Carnegie Institution of Pittsburgh in 1955. Rewarded in Lugano in 1956. Also expose to Sao Polo and New York. Present in many museums; Brussels, Liege, Turned, Mons, Charleroi, Ghent, Ostend, Lugano, Pittsburgh, Palm Beach, Sao Polo.

Jules POSTEL (Mons, 1867 - Uccle, 1955)
Oil on canvas, 80 x 70 cm
Painter post - impressionnist of landscapes, urban and village views. Also engraver. Study in the Academies of Mons until 1887 and from Brussels until 1893. Represent landscapes of Brabant, Italy and South of France in a very personal luminosity. Works in the museums of Brussels, La Louvière, Liège and Mons.

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Gustave CAMUS (Châtelet, 1914 - Mons, 1984)
Oil on canvas, 60 X 25 cm
At the beginning of his work, the artist takes as a starting point the realism intimist of Nervia. In 1950, it remains in Bretagne where he discovers Gauguin. His art is purified, stylized with the use of colors sharp. It wonders about the human nature by in particular using the horizontal ones and verticals. The artist reaches maturity in the years 50-60 . In 1961, the architect Jacques Dupuis builds his house in Mons. At that time, with the manner of Fernand Leger, it uses flat tints of colors and a frontal linear structure. These topics are then the beach, the ports, mechanics, robotics where bathe a certain anguish with a modern vision of the man. He falls under the expressionnism in Walloon decorative matter which is characterized by a rejection of the not-figurative tendencies.

Roger DUDANT (Laplaigne, 1929)
Oil on canvas, 58 x 44 cm, dated 1968.
At the back, labels exibition of Racines gallery in Brussels.
Painter and draughtsman at the borders of the abstraction, often inspired by the industrial world. Study in Cambre of 1950 to 1953 in the class of Paul Delvaux where he will become teacher. Price of the Young Belgian Painting in 1953. 3e mention with the international contest of Carnegie Institution of Pittsburgh in 1955. Rewarded in Lugano in 1956. Also expose to Sao Polo and New York. Present in many museums; Brussels, Liege, Turned, Mons, Charleroi, Ghent, Ostend, Lugano, Pittsburgh, Palm Beach, Sao Polo.

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Roger DUDANT (Laplaigne, 1929)
"Grisaille", oil on canvas, 100 x 80 cm, dated 1959.
At the back, labels exibition of State of belgium in New York
Painter and draughtsman at the borders of the abstraction, often inspired by the industrial world. Study in Cambre of 1950 to 1953 in the class of Paul Delvaux where he will become teacher. Price of the Young Belgian Painting in 1953. 3e mention with the international contest of Carnegie Institution of Pittsburgh in 1955. Rewarded in Lugano in 1956. Also expose to Sao Polo and New York. Present in many museums; Brussels, Liege, Turned, Mons, Charleroi, Ghent, Ostend, Lugano, Pittsburgh, Palm Beach, Sao Polo.

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Roger DUDANT (Laplaigne, 1929)
"Charbonnages", oil on canvas, 100 x 70 cm, dated 1959.
At the back, labels exibition of State of belgium in New York
Painter and draughtsman at the borders of the abstraction, often inspired by the industrial world. Study in Cambre of 1950 to 1953 in the class of Paul Delvaux where he will become teacher. Price of the Young Belgian Painting in 1953. 3e mention with the international contest of Carnegie Institution of Pittsburgh in 1955. Rewarded in Lugano in 1956. Also expose to Sao Polo and New York. Present in many museums; Brussels, Liege, Turned, Mons, Charleroi, Ghent, Ostend, Lugano, Pittsburgh, Palm Beach, Sao Polo.

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Frans DEPOOTER (Mons, 1898 - 1987)
"Landschape, pond near Wauthier-Braine"
Oil on canvas, 78 x 58 cm, dated 1944
The artist is inspired, at the beginning, of realism Symbolist of his friend Anto Carte and Gustave Van de Woestyne. He will excel in the portraits with in particular plastic firmness inherited modelled Cézanne. Then, it will be directed towards a realistic ideal using of the effects of colors of a lightness and a vaporous grace.
Works in the Museums of Charleroi, Liege, Mons, Turin, La Louvière, Ixelles, St Petersbourg, Shanghaï

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Géo N0EL (Mons, 1893 - 1969)
"memory of brass band"
Oil on canvas, 120 x 80 cm
At the back, labels exposure to the 51e National Salon of Ghent in 1965. From 1907 to 1915, studies with the Academy of Mons with Emile Motte. The artist been subject to the influence of Marcel Gillis. These favorite topics are drawn from the life of its native area: processions, scenes of village, small traders, burials, landscapes, portraits. Its art falls under freed realism with impressionist tendency. Works in Mons Museum.

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Eudore MISONNE (Gilly, 1870 - Jurbise, 1968)
Oil on canvas, 38 x 26 cm
Painter of landscapes and portraits, draughtsman. After having studied at the Mons Academy, follow Antwerp Academy with Isidore Opsomer. Present on the face of Yser in 1914-1918.
Works present in the Royal Museums of Brussels, Mons and Tournai.

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George FREDERIC (Brussels, 1900 - 1981)
"Building site In Ostend"; oil on canvas, signed and dated 1963. Labels of exposure to the back of the Belgian company of the painters of the sea, exposition in 1964.
Post-impressionist painter of river landscapes, harbour scenes, seen beaches and navy. Son and student of Leon Frederic. Works in the museums of Mons, Ixelles, Berlin...
 

George FREDERIC (Brussels, 1900 - 1981)
"the wearing of Ostend", drawing, pencils on paperboard, signed and dated 1959.
Post-impressionist painter of river landscapes, harbour scenes, seen beaches and navy. Son and student of Leon Frederic. Works in the museums of Mons, Ixelles, Berlin...

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Roger DUDANT (Laplaigne, 1929)
Oil on canvas, 120 X 85 cm, dated 1972.
Painter and draughtsman at the borders of the abstraction, often inspired by the industrial world. Studies at " La Cambre" of 1950 to 1953 in the class of Paul Delvaux where he will become professor. Price of the Young Belgian Painting in 1953. 3e mention at the international contest of Carnegie Institution of Pittsburgh in 1955. Rewarded in Lugano in 1956. Also expose to Sao Polo and New York. Present in many museums: Brussels, Liege, Turned, Mons, Charleroi, Ghent, Ostend, Lugano, Pittsburgh, Palm Beach, Sao Polo.

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Karel WOLLENS (Antwerp, 1912 - 1989)
Oil on canvas, 68 x 58 cm.
Surrealist painter. Begin with dead natures and landscapes with the invoice traditionalist. The first surrealist works go back to 1949. Purified and meticulous compositions.

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Roger DUDANT (Laplaigne, 1929)
"The buildings tools", oil on panel, 92 X 76 cm, dated 22.09.1956. In the back, labels exposure to the Salon National of the Art school of Bruges in December 1957 and labels exposure in Poland in Cracovie
Painter and draughtsman at the borders of the abstraction, often inspired by the industrial world. Study in Cambre of 1950 to 1953 in the class of Paul Delvaux where he will become teacher. Price of the Young Belgian Painting in 1953. 3e mention with the international contest of Carnegie Institution of Pittsburgh in 1955. Rewarded in Lugano in 1956. Also expose to Sao Polo and New York. Present in many museums; Brussels, Liege, Turned, Mons, Charleroi, Ghent, Ostend, Lugano, Pittsburgh, Palm Beach, Sao Polo.

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Roger DUDANT (Laplaigne, 1929)
"Marsh", oil on canvas, 82 X 55 cm, dated 1966
Painter and draughtsman at the borders of the abstraction, often inspired by the industrial world. Study in Cambre of 1950 to 1953 in the class of Paul Delvaux where he will become teacher. Price of the Young Belgian Painting in 1953. 3e mention with the international contest of Carnegie Institution of Pittsburgh in 1955. Rewarded in Lugano in 1956. Also expose to Sao Polo and New York. Present in many museums; Brussels, Liege, Turned, Mons, Charleroi, Ghent, Ostend, Lugano, Pittsburgh, Palm Beach, Sao Polo.

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Frans DEPOOTER (Mons, 1898 - 1987)
Oil on canvas, 62 X 52 cm, dated 1942
The artist is inspired, at the beginning, of realism Symbolist of his friend Anto Carte and Gustave Van de Woestyne. He will excel in the portraits with in particular plastic firmness inherited modelled Cézanne. Then, it will be directed towards a realistic ideal using of the effects of colors of a lightness and a vaporous grace.
Works in the Museums of Charleroi, Liege, Mons, Turin, La Louvière, Ixelles, St Petersbourg, Shanghaï

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Fernand GOMMAERTS (Mons, 1894 - 1975)
Oil on canvas, 65 X 55 cm
Student of  Anto-Carte and  Emile Motte. Its rigorously analyzed and structured compositions are softened and moderated by effects of light, research of atmosphere. The juxtaposition of richly coloured flat tints supplements this harmonious vision of the landscapes hennuyers.                                                                            
Works in the Museums of Charleroi, Mons, Rheims - Belgian State - Province of Hainaut

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Oil on canvas, 85 X 75 cm, not signed, about 1920.
Post-impressionist Belgian school.

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Fernand GOMMAERTS (Mons, 1894 - 1975)
Oil on canvas, 95 X 85 cm
Work exposed to the retrospective of the artist to the Palais des Arts of Vannes in 1973 (cfr catalogues exposure)
Student of  Anto-Carte and  Emile Motte. Its rigorously analyzed and structured compositions are softened and moderated by effects of light, research of atmosphere. The juxtaposition of richly coloured flat tints supplements this harmonious vision of the landscapes hennuyers.                                                                            
Works in the Museums of Charleroi, Mons, Rheims - Belgian State - Province of Hainaut

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Alexandre TIELENS (Brussels, 1879 - 1939)
"the place of the market in Honfleur", titrated on the back
Oil on canvas, 60 X 44 cm, about 1920
Post-impressionist painter of landscapes, of urban sights, dead flowers and natures. Student in the Academy of Brussels. Murals decoration at the French School in Brussels.

Frans DEPOOTER (Mons, 1898 - 1987)
Oil on panel, 60 X 40 cm, dated 1937
The artist is inspired, at the beginning, of realism Symbolist of his friend Anto Carte and Gustave Van de Woestyne. He will excel in the portraits with in particular plastic firmness inherited modelled Cézanne. Then, it will be directed towards a realistic ideal using of the effects of colors of a lightness and a vaporous grace.
Works in the Museums of Charleroi, Liege, Mons, Turin, La Louvière, Ixelles, St Petersbourg, Shanghaï

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Jules POSTEL (Mons, 1867 - Brussels, 1955)
Oil on fabric, 74 X 57 cm, about 1920
Painter of landscapes, navy, sights urban, portraits and of popular scenes.
Jules Postel  falls under the line of the Flemish luminists (Emile Claus, Rodolphe and Juliette Wytsman...).
Works in the Museum of the Art schools of Mons - State Belgian

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Oil on fabric, signed F.Cl Bouvié, 75 X 55 cm.
Post-impressionist Belgian school.

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Michel HOLYMAN (1924 - 1966)
Mixed technique, 47 X 30 cm, project of tapestry, the Fifties
Painter, draughtsman, illustrator. Painter - glassmaker, creator of tapestry and decorator. Graphic designer, writer. Student at the Academy of Mons and La Cambre. Complete  many work so much for the private one than for the public (frescos, tapestries, stained glasses, mosaics); decoration of the theatre of Mons (tapestry) and with the Palate of the Nations of Brussels.
Works in the Museum of Mons.

Gustave CAMUS (Châtelet, 1914 - Mons, 1984)
Oil on canvas, 120 X 50 cm
At the beginning of his work, the artist takes as a starting point the realism intimist of Nervia. In 1950, it remains in Bretagne where he discovers Gauguin. His art is purified, stylized with the use of colors sharp. It wonders about the human nature by in particular using the horizontal ones and verticals. The artist reaches maturity in the years 50-60 . In 1961, the architect Jacques Dupuis builds his house in Mons. At that time, with the manner of Fernand Leger, it uses flat tints of colors and a frontal linear structure. These topics are then the beach, the ports, mechanics, robotics where bathe a certain anguish with a modern vision of the man. He falls under the expressionnism in Walloon decorative matter which is characterized by a rejection of the not-figurative tendencies

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George GODART (Hornu, 1919 - Mons, 1985)
Oil on canvas, 114 X 95 cm, dated 1952
Surrealist painter  of "ideal cities" and dead nature
Studies at the Academy of Mons dice 1934 and Academy of Brussels in 1938, he accepted its greater award in 1964, year when he was prize winner of the price Anto-Carte in Brussels.

Arsene DETRY (Koekelberg, 1897 - Mons, 1981)
Watercolour, 26 X 18 cm
Painter of landscapes and urban sights. Pass its youth to Paris. With these beginnings, it is subject to the influence of Lhotte and Cézanne. His work does not dictate any social concern but just a will to transcribe the light while being useful of geometrical forms (houses, factories). For  Rene Magritte, Arsène Detry is surrealist who is unaware of itself; he reigns in his art a strange environment characterized by a felted light and the absence of characters
Works in the Museums of Brussels, Charleroi, Liege, Mons, Buenos-aires

Alfred DURIAU (Mons, 1877 - 1958)
Oil on canvas, 60 X 50 cm, near 1900
Painter of portraits, landscapes, seen town of Mons, engraver ; carry out many engravings according to the old and contemporary Masters. From 1890 to 1906, studies at the Academy of  Mons (professors : Bourlard and Danse);  improves at the National School of the Fine arts of Paris. In 1906, Price of Rome in engraving (brings back urban sights there).
Works in the Museum of Mons

Pierre DEQUENE (Mons, 1905 - Brussels, 1954)
Oil on panel, near 1930, 50 X 40 cm.
Painter, fresquist. Studies at the Academy of Mons with Emile Motte.
The artist paints the naked ones, dead natures but especially of the scenes of the country or working life of his native area. He uses a realism built according to lessons' of Cézanne; with a severe pallet with the tone obscured. Is also strongly marked by symbolism and the cubism.
Works in the Museums of Brussels, Mons and Tournai.

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Charles PREUX  (Hornu, 1914 - Mons, 1984)
Oil on canvas, 110 X 90 cm, dated 1942.
Painter, draughtman, watercolours and engraver. Studies in the Academy of Mons (1935-39) with A. Duriau and V Regnart. Teach the drawing at the Academy of Mons.